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Silent Hill: Revelation 3D (2012)


As we all are love to watch horror movies alot. I am always hunting for some nasty horror movies and this time I have found this for you all. Be the first to watch it among your companions and drown into the thrill. After the success of  Silent Hill part 1 Michael J. Bassett presenting Silent Hill: Revelation 3D (2012). It storyline is reasonable and and full of mystery as we found in Part 1. In ‘Silent Hill: Revelation 3D,’ Heather Mason (Adelaide Clemens) and her father (Sean Bean) have been on the run, continuously one stage in advance of risky compels that she doesn’t thoroughly grasp. On the eve of her 18th special day, tormented by horrific bad dreams and the vanishing of her father, Heather comes across she’s not who she suspects she is. The disclosure leads her deeper into a devilish planet that intimidates to trap her eternity. And finally she end up in the hell as her mother did. It has 5.5 rating in IMDB. And was good to experience so go for it watch it at your home you can find here link to download this movie and Enjoy!!

Genre: Horror | Mystery | Thriller
Director: Michael J. Bassett
Writer: Michael J. Bassett
Casting: Adelaide Clemens, Kit Harington, Sean Bean

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The Bounty Hunter



From the great director of great old movies like “Hitch (2005), Sweet Home Alabama (2002)” Andy Tennant is now came up with one awesome movie “The Bounty Hunter“. The movie was full packed of action, comedy and romance. You should watch this movie when I did watch this movie I was liked it alot. Hopefully you will like it too. Milo Boyd, a down-on-his-fortunes bounty hunter, gets his dream work when he is doled out to track down his safeguard-bouncing ex, journalist Nicole Hurly. He supposes all that is ahead is a simple payday, however when Nicole gives him the slip so she can pursue a lead on a homicide blanket-up, Milo acknowledges that nothing ever runs essentially with him and Nicole. The exes ceaselessly one-up one another –until they end up on the run for their lives. They supposed their guarantee to adore, respect and obey was strong –staying full of vibrancy is heading off to be an entire part harder. Andy Tennant coordinates. It has 5.3 rating on IMDB. Now you can download this movie from our website through direct link provided.

Genre: Action | Comedy | Romance
Director: Andy Tennant
Writer: Sarah Thorp
Casting: Jennifer Aniston, Gerard Butler, Gio Perez

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The Collection



From the writer of SAW is now presented The Collection (2012). Horror movies lover here is one more full of abomination and abhorrence that will make you scream. This is a full packed movie of horror, Action and thrill. At the point that Elena’s (Emma Fitzpatrick) companions take her to a mystery gathering at an undisclosed area, she never pictured she might come to be the last schmuck of The Collector, a psychopathic executioner. The Collector seizes and transports her to a relinquished inn he’s converted into his particular private maze of torture and passing. Upon studying of his girl’s vanishing, Elena’s affluent father (Christopher McDonald) employs a gathering of soldiers of fortune to recover her from the vicious grasps of The Collector. These hired soldiers force Arkin (Josh Stewart), the sole man to have escaped the fury of this offensive creature, to lead them by way of the abhorrent maze. Presently, Arkin ends up defending his particular existence to spare Elena. Marcus Dunstandirector of this movie. Featuring by Josh Stewart, Emma Fitzpatrick, Christopher McDonald. It has 6.3 rating on IMDB. You can download this movie from our website through direct link.

Genre: Action | Horror | Thriller
Director: Marcus Dunstan
Writers: Patrick Melton, Marcus Dunstan
Casting: Josh Stewart, Emma Fitzpatrick, Christopher McDonald

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Toy Story 2

The first Toy Story was largely confined to little Andy’s room and his dreaded neighbor’s house. When we pick up the story in “Toy Story 2,” Buzz Lightyear is in outer space where he meets his arch-nemesis, Emperor Zurg. In a cheeky opening, the rules devised by Lasseter and his Pixar staff are laid out: There are no rules.
Buzz flies through caverns, enters Zurg’s stronghold, and gets defeated (gasp) by the evil Zurg! Is this the end of our hero?….Nah, it’s just Rex playing the Buzz Lightyear video game and losing. It is Yard Sale Day and the toys are understandably tense. You see, Yard Sale Day means that the old toys go out to the sale. Woody has reason to be nervous, he’s starting to show his age. He’s got a ripped arm thanks to Andy’s dog, whom we got introduced to at the end of the first Toy Story. Sure enough, one of the toy troop gets taken. Poor Weezie the Penguin was laid forgotten on Andy’s bookcase and he promptly gets put in the sale box. It’s up to Woody to save him, which he does. But he gets picked up by a greedy toy-collector named Al and taken to Al’s Toy Barn. Seems Woody is pretty valuable and Al wants to sell him to a toy auction. Can Buzz and friends save him in time?
Ho-hum, sounds like a harmless little kid’s movie, doesn’t it? But remember Lassetter and the rules, or lack thereof? Well, things take quite a poignant turn.
In a magical sequence that’s an homage to Howdy-Doody, Woody learns that he was part of an old 1950s children’s puppet show along with some other toys from the show, the salty Prospector Pete (Kelsey Grammar), Jessie the Yodelling Cowgirl (played brilliantly by Joan Cusack), and Woody’s faithful steed. As Pete tells Woody, toy collecting means immortality. Woody and his new friends will be preserved in cases for admiring eyes to faun over. Woody’s days with Andy are numbered. This point is further emphasized by a heartbreaking song sung by Sarah Maclachlan that tells the story of how Jessie’s owner abandoned her because, well, she grew up. Pete says, “Do you really think Andy will take you to his high school graduation or to college?” Talk about a bind. Does Woody go back to Andy and have fleeting fun or stay preserved in predictable permanence?
Meanwhile, Andy’s gang have their own awakenings to paths not taken. Mr. Potato Head sees temptation incarnate in some friendly Barbies (“I’m a married spud! I’m a married spud!”) and Buzz comes face to face with a new Buzz Lightyear figure….who turns out to be as self-delusional as he was. You mean, they’re all like this?! And the knockout punch: Buzz faces his mortal foe, Emperor Zurg and confronts a shattering secret. Hint: Think “Star Wars.”
Pixar has come a long way since the first “Toy Story.” The computer animation is absolutely amazing as the toys have much more dimension and realism in the details than the original. Once again everyone is terrific, especially Cusack who injects soul in the spunky and slighted Jessie. References abound, from “2001″ to “Star Wars.” Plus some inside jokes concerning Toy Story’s lack of merchandise production also make their way. Even a sly suggestive joke or two slips in. Hint: Watch Buzz’s wings at the end.
I cannot say enough about one sequence in particular with Buzz and the gang crossing the street. Lasseter directs this scene with great skill and comic placement. I was in tears at this point, and this was a “kid’s” movie!
But, as with the first one, what really got me engaged was the story, as affecting a story as I have seen live or animated. If I can make an outlandish statement, Toy Story seems to be reaching for something akin to the “Star Wars Trilogy” or even the “Godfather Trilogy.” Not so much for epicness, but for how the story gets deeper and richer as it goes along. “Star Wars” was an entertaining space opera, “Empire Strikes Back” was a mythic, dark, operatic chapter in a saga. “Godfather” was an exciting and classically-influenced masterwork, “Godfather Part II” was a quiet, dark, character study that reveals Michael’s moral bankruptcy and the decline of the Corleone empire.
Lasseter’s plan intrigues me. With “Toy Story”, the plot revolved around a buddy picture that showed the bond between an old toy and new toy, and that being a toy is the best thing in the world. This bittersweet second chapter addresses what happens after the toys aren’t needed anymore. What happens now? Where will I go? Will I be loved again? I wonder if with the third, if there is one, we’ll see what makes a toy timeless. What separates a Woody or Buzz from Rex the Dinosaur or Slinky the Dog? And I wonder what the ultimate fate of our friends actually is. I’m hoping they get passed on to Andy’s children and his grandchildren, throughout all the generations. I wouldn’t worry about Buzz and Woody, though. They’re already timeless.

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Monsters, Inc

While monsters in the closet may seem to be a scary reality for some children, `Monsters, Inc.’ makes it light hearted by showing them it’s all in a night’s work. The characters are as charming as the cast that speaks for them.
It’s a learning experience children get to see how an industry works. Monsters, Inc. is an in-genius corporation that has scientifically learned how to channel children’s screams into energy that is used for electrical power. It has monster employees, an assembly line of doors (which give monsters access to children’s bedrooms), a top-flight training program and some of the top Monsters in the scaring business.
There’s a colorful Metropolis, filled with houses, buildings, businesses, cars and everything that makes a city run smoothly along with a population of colorful creatures. One of the colorful groups of creatures is the yellow swat team. Their job is to protect the Metropolis of Monsters, Inc. from human contamination.
But what happens when a human child mysteriously gets through the bedroom door and terrorizes the city with screams and boo’s. It’s wondrous and funny. In the mist of all this is industrial crime, brought on by greed. But, the story ends on a very happy note.
John Goodman is the voice of `Sulley’ a colorful large blue-green ape like monster who’s the star Monsters, Inc. employee. He’s some type of monster, cut, cuddly, and he has a conscience that leads him to feelings of regret about scarring children. He becomes attached to Boo (voice of Mary Gibbs) a cute, little big-eyed girl who is mysteriously brought to Monsters, Inc. and in his quest to return her home becomes very attached to her.
Sulley’s best friend is Mike (voice of Billy Crystal) who’s a funny looking green ball with stick legs and one huge eye. His comedy is seen through out the movie. Mike is Sulley’s driving force, acting as his agent. Mike’s job is to make sure Sulley remains the top Monsters, Inc. employee. But when it comes to laughter Mike proves he’s on top.
Mike’s girl friend Celia (voice of Jennifer Tilley) is the stylish employee who has Mike’s best interest at heart. Her job is to keep him out of trouble.
I give Monsters, Inc. a ten. It is an animated movie that can be enjoyed by the whole family. It makes for great family fun.

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The Adventures of Ichabod and Mr.Toad

The Adventures of Ichabod and Mr. Toad
Finally Walt Disney Home Video has got their act together and released “The Adventures of Ichabod and Mr. Toad” in its entirety (the two stories have been available in separate forms for quite some time). I’ll admit that the clunky title doesn’t inspire much more enthusiasm than it did back in 1949 (the film tanked, from what I’ve heard), but I hope some people will give this a chance just based on the Disney name. “The Wind in the Willows”, narrated by Basil Rathbone, is a delightfully comic adaptation of Kenneth Grahame’s classic novel, keeping the proper British tone (children may not get some of the UK slang used) while still remaining a lot of fun. The highlight is the courtroom scene, featuring a bullying prosecutor (voiced by Disney animator/voice artist John McLeish, who also narrated the Goofy “How to” shorts) going toe-to-toe with a wonderfully insolent Toad (a great performance by Eric Blore). “The Legend of Sleepy Hollow”, based on a story (not a novel, as the film suggests) by Washington Irving, is even better, making the most of its American colonial setting with some especially interesting layouts and backgrounds. 

The humor found in the rivalry between schoolteacher Ichabod Crane and local roughneck Brom Bones for the hand of the manipulative tease (“coquette”, in the film) Katrina von Tassel is some of Disney’s best. The Halloween sequence leading up to the Headless Horseman’s appearance is the most skillfully directed piece of animation I have ever seen outside of “Fantasia”, conveying a magnificent sense of dread through both sound (the chilling echo of whistling and laughter, crickets chanting Ichabod’s name, frogs croaking “headless horseman” over and over) and image (fireflies inside a tree trunk forming the eyes of a shrouded ghost, Ichabod’s sweaty, nervous terror, the subtle cloud effect of hands closing over the moon). This is far more frightening than any horror film I have seen. All in all, a smart (listen to the narration and learn some new vocabulary words) film in every way. One final note: I have not seen this film in years (I saw it plenty of times on The Disney Channel during the 1980s), and I noticed the many scenes involving both alcohol and weapons, particularly in “The Wind and the Willows” segment. I accepted the scenes back then as a child and had no problem with them now, thanks to the general tone of the picture. 

Although the concept of Toad being restrained from blasting a bayonet-wielding weasel with a shotgun and seeing Toad and his friends running from various flying knives, swords, and axes sounds like something to stay away from, it is all harmless fun. Give it a chance.

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Alice in Wonderland

I was a little worried when I went to watch the film version of Alice In Wonderland, because I just read the novel and Disney has a tendency to dumb down the material that they make into their films with goofball romantic nonsense and cutesy talking animals. While I did get more than the traditional share of talking animals with this film (as well as a variety of other inanimate objects), the film stayed more faithful to the original story than is generally expected from a Disney film. On the other hand, this WAS made in 1951, which makes me wonder what a more modern adaptation would look like.
I read Alice In Wonderland and Through The Looking Glass for English 180 (Children’s Literature) at the University of California, Davis, so needless to say, I read it with more of a literary appreciation than is generally applied to children’s books. I was pleased to see so many of the characters from the second novel in this version of Alice In Wonderland (such as the Cheshire Cat, the talking flowers in the garden, and Tweedle-Dee and Tweedle-Dum), although I must admit that I was slightly disappointed to see that Through The Looking Glass has been assimilated into this version of Alice In Wonderland rather than adapted into its own film, which I think is an honor that it certainly deserves.
As far as being a full length feature (although rather short at roughly 75 minutes), however, I think that this movie does justice to both stories, converting them into a single story rather smoothly, and only leaving out things that will only really be missed by people who know the novels enough to be disappointed that certain things were not included. I, for example, would have loved to see the whole chess story in Through The Looking Glass included in the film (there certainly was time for it), where Alice travels through Wonderland on her quest to become a Queen herself, but I am more than happy with how this film turned out.
One of the only things that I noticed about this film that did not match up to the quality of the novels is that the books have so much more in them for adults than the movie does. There are so many tricks with language pulled in the books, such as in the conversations with Tweedle-Dee and Tweedle-Dum as well as several other characters, that it really makes you think about the English language as a game with which an endless variety of tricks can be played. In the film, this is hugely downplayed, even if only because it is done visually and the language tricks pass by so fast that kids are almost certain to miss them and even the most attentive of adults will have a hard time keeping up with them.
As a whole, however, Alice In Wonderland is so wildly entertaining that the loss of some of the literary substance does not detract from it as a terrific tale of adventure and discovery, certain to be enjoyed by people of all ages. I have heard plenty of rumors that Lewis Carroll was on any of a variety of drugs while he wrote the novels (and plenty of rumors that he wasn’t on any drugs at all), but there are certainly some things in the books and in the movie that could have only been conjured up by the most, um, eccentric of imaginations. We may never know for sure, but at least we have some wonderful entertainment.

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